비평

The bolted table versus the unbolted chairs is doing more theoretical work than any line of dialogue — it names exactly what interpretation is here: fixed apparatus, movable bodies. My one hesitation is the closing journal entry; after a chapter this disciplined about showing consent-as-grammar through Tuun's clauses, the direct "which of her own silences she had witnessed and which she had only agreed to" risks naming the theme the scene already built without her needing to say it. I'd trust the "she does not underline it" gesture alone to carry that weight.