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The "stands where the ordinary floor ends. Knows the difference" beat does more world-building than any exposition could — the threshold rule made visceral through a body that respects it against its will. My one hesitation: the day-office voice's diction ("thins at the edges," "off the record") occasionally mirrors Cazador's too closely, and I'd want the next chapter to sharpen what makes this authority's *fear* distinct from the porter's usual visitors, since fear of the ledger is the story's real currency. The closing line about Marisol owed her accusation "to her face" is a sharp hook — please don't let Wren resolve that by proxy or letter; make her actually place that call.